The collection bequeathed by Francis Douce (1757-1834) contains portraits and other prints, mainly in the form of engravings but also in other media, collected together in portfolios, and numerous illuminated printed books as well as illuminated manuscripts. The majority of these have been transferred to the Ashmolean Museum,see the Ashmolean's online catalogue of prints.
A few albums of single-sheet prints and many illustrated books remain in the Bodleian collections and may be found in the Douce and Douce Prints shelfmarks, via the online catalogue, SOLO.
A good introduction to the collecting interests of Francis Douce is found in the catalogue of an exhibition at the Bodleian Library, The Douce Legacy. [Weston RBMSS Open Shelves, R.Ref.361(60)]
An appreciation of Douce as a collector and of the prints now in the Ashmolean Museum was written in a blog by Mercedes Ceron.
Francis Douce had a special interest in topics of popular culture and popular history, and in the theme of the 'Dance of Death'.
Woodcut illustrations in 17th-century ballads collected by Douce are indexed and searchable via the Bodleian Ballads Online 'ImageMatch' page.
G. R. Scott, A catalogue of the collection of engravings in portfolios bequeathed by Francis Douce in 1835 and received back from the Ashmolean Museum, in which they had been deposited for about 45 years, in 1915. (In MS.) Weston RBMSS Open Shelves, R.6.260
NB: It is important to note that most of the prints and drawings from the Douce collection have been removed and sent to the Ashmolean.
If you are in any doubt as to how to access the Douce collection, please ask one of the reading room staff who will be able to assist you further.
Heures à l'usage de Rome, [Paris] : [Pour Symo[n] vostre Libraire, ... par Philippe pigouchet.] [1502?] Douce BB 172.